Early life
Majrooh Sultanpuri was born as Asrar ul
Hassan Khan in Sultanpur, Uttar Pradesh in either 1919 or 1920.
Since his father was a police sub-inspector, he couldn't afford
the expensive English education for his son. Majrooh instead completed
the seven year course of Dars-e-Nizami in Arabic and Persian and
went on to take the degree of becoming an Alim. He then joined
Lucknow's Takmeel-ut-Tib College of the Unani (Greek) System of
Medicine. He was an established Hakim when he happened to recite
one of his ghazals at a mushaira in Sultanpur. The ghazal became
famous with the audience and Majrooh decided to drop his prosperous
medical practice and begin writing poetry seriously. Soon he became
a fixture at mushairas and became great friends with the renowned
Urdu poet, Jigar Moradabadi.
Films
In 1945, Majrooh visited Bombay to attend
a mushaira at the Saboo Siddique Institute. Here his ghazals and
poetry were highly appreciated by the audience. One of the impressed
listeners was film producer A.R. Kardar. He contacted Jigar Muradabadi
who helped him to meet Majrooh. However, Majrooh refused to write
for films because he didn't think very highly of them. But Jigar
Muradabadi persuaded him, saying that films would pay well and
would help Majrooh to support his family. Kardar then took him
to music composer Naushad who put the young writer to test. He
gave Majrooh a tune and asked him to write something in the same
metre, and Majrooh wrote Jab Usne Gesu Bikhraye, Badal Aaye Jhoom
Ke.... Naushad liked what he wrote and Majrooh was signed on as
the lyricist of the film Shah Jehan (1946). The songs of the film
became so immensely popular that K.L. Saigal wanted Jab Dil Hi
Toot Gaya to be played at his funeral. But before he could react
to the large-scale appeal created by these lines, he fell ill.
The harsh Bombay weather made him leave the city and return to
his hometown in the North.
Political leanings
Shah Jehan was followed by S. Fazil's
Mehndi, Mehboob's Andaaz (1949), and Shahid Latif's Aarzoo. Just
as Majrooh was establishing himself as a lyricist and songwriter
of repute, his leftist leanings got him into trouble. The government
wasn't amused by his anti-establishment poems and he was jailed
in 1949 along with other leftists like Balraj Sahni. Majrooh was
asked to apologise, but he refused and was sentenced to two years
in prison. While he was in prison, his eldest daughter was born.
During this time his family experienced considerable financial
difficulties. Raj Kapoor commissioned a song ("Ek din bike
jayega maati ke mol") from Majrooh for which he paid him
Rs. 1000.
Majrooh's political beliefs were further
manifested when his second daughter married the son of the Urdu
writer and socialist Zoe Ansari. Toward the end both Majrooh and
Zoe Ansari were disenchanted with the direction socialism had
taken in the Soviet Union and China. Their desire to better the
lives of the masses found an outlet in their writings.
Awards
Majrooh went on to write lyrics for popular
films throughout the 1950s. Along with Faiz Ahmed Faiz, Majrooh
was considered the most notable ghazal writer. Majrooh won his
only Filmfare Best Lyricist Award for the song "Chahunga
mein tujhe sham savere" in Dosti. He was also awarded the
Dadasaheb Phalke Award in 1993. He was the first lyricist to win
the prestigious award named after Dadasaheb Phalke.
Association with Nasir Hussain
Majrooh and Nasir Hussain first collaborated
on the film Paying Guest, which Nasir wrote. After Nasir turned
director and later producer they went on to collaborate in several
films, all of which had huge hits and are some of Majrooh's best
remembered works:
Phir Wohi Dil Laya Hoon
Teesri Manzil
Baharon Ke Sapne
Pyar Ka Mausam
Caravan
Yaadon Ki Baraat
Hum Kisi Se Kum Nahin
Zamane Ko Dikhana Hai
Qayamat Se Qayamat Tak
Jo Jeeta Wohi Sikander
Akele Hum Akele Tum
Majrooh also was instrumental in introducing R.D. Burman to Nasir
for Teesri Manzil. The trio worked in 7 of above mentioned films.
Burman went on to work in 2 more films subsequent to Zamane Ko
Dikhana Hai.